Category: Uncategorized

Dancers – part 2

After some reflections covering our first rehearsal, Anette and I got together once again to rehears. We felt that the interplay between us in the last rehearsal was to linear, there was no friction, we just followed each other. This


As stated in my project description: – Look at the possibilities for at external sources, such as the audience, a net stream, dancers, humidity, lights etc. can control the development in the music and in the video trough out a

Project description

Project description: Performance with realtime interaction between drums and electronics. Goal: To develop a setup with drums and electronics which shall be practical and easy to operate. Why I do this: Amongst guitarists and some what keyboard players, the integration

Music – Husebø/Evensen/Lislegaard/Johnsen

Here is a video from a performance I did in May 2011 at a festival called tape to zero: Kjetil Husebø – Keys Terje Evensen – Drums Kristoffer Lislegaard – Electronics Jonas Barsten Johnsen – Drums (Everybody – Electronics) Tord

Music – SkRR

SkRR is a sound collective based in Oslo. We arrange concerts, workshops and social gatherings where we focus on production and performance of electronic music, sound design, sound programming and experimenting with auditive and visual expressions. You can follow SkRR

Music – Ambience Project

This is an excerpt from a two hour performance at the Norwegian Academy of Music early 2011. Everyone in my live electronics class were placed all over the school, playing ambient music. I was in the canteen. The whole session

Music – Bjørn Charles Dreyer Group

Bjørn Charles Dreyer Group is a product of Dreyer’s master studies at the University of Agder. I was doing a bachelor degree at the same University, and he invited me to be a part of his project, you can read

Equipment standard (microphones – setup)

My main concern when it comes to microphones is that I want to feel they express the energy of my musical intentions. Until now, I’ve let sound engineers use their own microphones and I’ve used a split, a return bus

Equipment standard (Microphones – triggering)

Lydrommet were also kind enough to lend me some microphones. I tested them with the same intent as I tested the preamps, I wanted to see if there was any reason for me to invest in other microphones. I already

Music – The Beginning

This is a recording from a solo concert I did early June 2011. The audio is just a stereo signal from my sound card, there are some audio drop-outs and I apologize for that. In general I feel the tendency